Also,it's nearing time for the "Big show" with Tanya Tucker and Travis Tritt. Visit www.blkoakamp.com for tickets and join us! It's going to be sooooo much fun!
Til we meet again,
Camille
Oklahoma Artists and Musicians News *COPYRIGHT NOTICE* Title 17 U.S.C. Section 107, any copyrighted work in this message is distributed under fair use without profit/payment to those who have expressed a prior interest in receiving the included information for non-profit research/educational/criticism purposes only. www.law.cornell.edu/uscode/17/107.shtml. Your artists news not here? Tell them to email it to stan@paynecountyline.com - hint! Click on images to enlarge.
“These factors have made us unable to produce the kind of event we are known for, so we are unable to move forward with the festival this year. At the point we knew that we had exhausted any and all options and head into July 2010 with full steam, we decided to postpone the event on our own terms. The integrity and quality of Dfest is of the utmost importance to us as the creators of the event.”Rumors had been rampant on Facebook and Twitter about DFest’s demise, while organizers stayed mum. Unfortunately, these rumors have proved to be true. We hope DFest will be able to return in 2011.
FOR IMMEDIATE RELEASE
May 21, 2010 CONTACT
Tom Green
info@dfest.com
www.dfest.com
TULSA, OKLA. – For the past eight years, we have tirelessly promoted and produced Dfest Music Conference & Festival. We have experienced some amazing performances, made friendships that will last a lifetime, and created a special event that made Tulsa a very exciting place each July.† Those of you who truly know us understand we do this out of sheer passion, our unending love of music and to empower and create a better place for hardworking, independent musicians.†
In 2010, we have to make the difficult decision to put Dfest on hiatus.† A tough economy, rising production costs and a decline in lower level corporate sponsorships and support have caused us to take pause. These factors have made us unable to produce the kind of event we are known for, so we are unable to move forward with the festival this year.† At the point we knew that we had exhausted any and all options and head into July 2010 with full steam, we decided to postpone the event on our own terms. The integrity and quality of Dfest is of the utmost importance to us as the creators of the event.
We know that Dfest is a very special event and so much more than just a festival. We are not willing to compromise the quality of the event in any way that might cause it to be less of a festival than the people of Tulsa and our fans have come to know and love. In light of these events, we would like to give a very special thanks to the fans who have bought tickets to Dfest in the past, told your friends, Facebooked, tweeted, blogged and let everyone you knew know about how much you love Dfest. We would also like to thank our loyal sponsors, media partners, team members, emerging artists, and volunteers who have supported Dfest year after year.† A very special thanks and appreciation goes to State Farm, who shared our vision for this event and stood by our side throughout this difficult decision.
With love and respect,
Tom and Angie Green and the Dfest Team
The two-day multi-genre music festival fused with a music industry conference was established in 2002 to help emerging artists gain exposure and connect with the music industry. The conference consisted of music panels, a tradeshow, music clinics and artist mentoring. Each night, national recording artists performed on large outdoor festival stages while top local, regional and national emerging artists performed on a multitude of outdoor stages, indoor venues and club stages. Dfest has quickly become one of the top independent music conferences in the nation as well as the Midwest’s largest music festival of its type, and a hot bed for showcasing exciting new diverse music talent.
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Purchase: CD BabyMore than 25 Oklahoma musicians join Aycock on the album, including Jesse Aycock, Don Geesling, Travis Fite, Jared Tyler, Steve Pryor, Randy Crouch, Rocky Frisco, Dustin Pittsley, Tom Skinner, David Bernson, Ron McRorey, Jeff Graham, Sharla Pember, Monica Taylor and Rich Fisher.
“I didn’t have a band of my own, so I did something I had been wanting to do for awhile and brought in some of my favorite Oklahoma musicians, spanning generations and musical genres to help me flesh out these songs. We are trying to make folks aware of the rich diversity of great musical talent we have right here in our own state.” - Scott AycockAycock is also the co-host of “Folk Salad”, a weekly americana and folk radio show that broadcasted on KWGS in Tulsa, KOSU in Stillwater, KOSN in Bartlesville and KOSU in Okmulgee.
Sense of Community
Several artists from Tulsa’s music scene comes together behind Scott Aycock’s Foxhole Radio
BY G.K. HIZER
The first thing that struck me listening to Scott Aycock’s sophomore release, Foxhole Radio, was a feeling of community and inclusiveness. Granted, that could have been a preconceived notion as I had already scanned the liner notes to find a who’s who of the local music scene making guest appearances, but the songs immediately felt more like a sit-in jam session rather than an all-star project.
Aycock paused to reflect on that, not only on the recording of the disc, but of the local music scene as a whole. Intertwined with local music for more than three decades, Aycock said, “I feel like in the last 10 years, the music scene in Tulsa seems stronger than ever. It’s a crossroads where all these styles come together. It was that way in the ’70s, but it just seems more cooperative now. There’s definitely more inclusivity between musicians and bands.”
Aycock has witnessed a more nurturing scene as of late, taking particular note of older, established musicians encouraging young new artists to step up and perform. Perhaps it shouldn’t be surprising, then, to have that camaraderie and come across on his new disc.
When discussing how Foxhole Radio came together, Aycock explained that when he recorded his first disc in 2000, he had a band and recorded as Scott Aycock and the Empty Pockets. By the time the latest disc came to be, however, he no longer had a band and pondered the decision of how he should approach the music. Should it be a solo disc, or should he record with a leaner, more stripped back backing band? After discussing it with Don Geesling, who produced the previous disc, he decided he would really like to record with a number of local artists that he admired.
“On Folk Salad,” he said, referring to the weekly radio show he hosts on KWGS (89.5 FM) and KOSU, “our mission statement is to promote the rich musical heritage and talent we have here in Oklahoma. I decided I really wanted to extend that to the CD.”
With 25 musicians featured throughout the course of a dozen songs, Aycock has made a valiant effort toward doing just that. “There are a hundred more (artists) that I would like to work with, but I had to start somewhere,” he said with a chuckle of the disc’s guest list.
“My thing is, I wanted to bring in a lot of the musicians that I personally admire,” he said. “And of course, play with my sons, Jesse and Dylan.” Ironically, when editing the disc, the track that Dylan Aycock played drums on was left off, to perhaps be used at another juncture. Even so, a sense of family and community is exactly what Foxhole Radio is truly about.
Much like what we are currently seeing in Tulsa’s music scene (or at least in certain segments), the collaborations on Aycock’s disc bridges a generation gap, pairing younger players like Jesse Aycock, Dustin Pittsley and Sharla Pember with Tulsa’s old guard players like Steve Pryor, Randy Crouch and Rocky Frisco. The disc also provides a blend of genres, touching on blues, country and even a bit of New Orleans jazz, all anchored by Aycock’s keen folk sensibilities.
When putting together his wish list and roster, Aycock sat down with Geesling and started going through the songs he had compiled to decide which instrumentation was most appropriate. From there, he started calling some of his favorite musicians to fill those roles.
For the most part, it was just a matter of asking as each guest jumped at the opportunity to record with Aycock. While some of the artists were paid for their performances, many were happy to play for free even when offered payment. “Everybody, whether they were paid or not, was worth way more than I could have offered,” he said. “It was really just an outpouring of generosity and love — and love of music, from each of them.”
Although the performances center on Aycock’s songs, ultimately, he admitted, “it became a celebration of all the artists.” Even so, it’s the consistency of his writing that ties any loose ends together, regardless of the style or players.
Initially, tracks like “Thousand Headlights,” “Poor Boy’s Dream” and “We’re All In This Together” hint that Aycock’s forte lay in lazy, shuffling roadhouse blues. Once you work your way through the disc and hear flourishes of country throughout and even a touch of Dixieland on “Louisiana Stomp,” you realize that’s not necessarily the case.
Ultimately, it should come as no surprise to find that the co-host of Folk Salad is exactly that at heart: a folk singer. His true gift is in storytelling, and he does that in each song with a manner informed by Guthrie and Steinbeck. You might miss it upon first listen, as the warmth of the recordings draw attention to the arrangements (Steve Pryor nearly steals “Wondering What Tomorrow Might Bring” with his pedal steel work), but the stories themselves come to the forefront after repeated listens as the disc has a very natural and organic flow and feel.
Even more than the cooperative effort of the musicians, it’s the universal nature of folk songwriting that creates the inclusiveness and sense of community that first struck me with this disc and that comes through loud and clear with this set of stories.
You’ll be able to experience that sense of community first-hand when Scott Aycock celebrates the release of Foxhole Radio Thursday night, May 20, at the Blue Dome Diner and Roadhouse. Admission is $10 ($5 for students) and dinner will be available throughout the evening at this all-ages, non-smoking event.
Not all of the musicians on the disc will be able to appear, but you can expect many to be on hand as Aycock performs the majority of his new material with a core band of Don Morris on bass, Dylan Layton on guitar, Ron McRorey on drums and Don Geesling on Hammond B3 (organ). Anyone else who shows up will be able to slide in and out of the set throughout the evening and confirmed guests include Jared Tyler, Jesse Aycock, Jeff Graham and Randy Crouch. You can expect even more to appear during the course of the evening, however, as the concert will likely end with an open jam session spotlighting those who stop in.
Of course, Foxhole Radio will be available at the show, and a portion of the proceeds from CD sales will go toward “Musicians for Smoke Free Oklahoma,” a grass roots organization which Aycock’s wife, Margee, established a few years ago.
The disc can also be purchased online via CD Baby or at scottaycock.com. If you really want to grasp what the disc is about, however, the CD release party is undoubtedly the way to go as the local music community gathers around one of its biggest supporters.
Y'ALL:
We just wrapped up the latest leg of The Big To-Do Tour and it's been a great experience for us. We played several shows with The Henry Clay People and it's always great to have a new band to love. They were fantastic every night and I hope we can play with them again soon. Here is a sample of what they do .
This past weekend we released our new video for "This Fucking Job" ("Working This Job" for the censored version). I hate to call it a video, as I generally hate videos and this is more like a very short film made by real life filmmakers. Scott Teems, who made the award winning movie That Evening Sun (starring Hal Holbrook and Ray McKinnon) directed it. Ray McKinnon (The Accountant, Oh Brother, Where Art Thou, The Blind Side, Chrystal) stars in it. I think it's fantastic and hope that you'll check it out at this link . Both versions are well worth checking out and have different endings, so decide yourself how it ends.
Watch the video via the links below:
Working This Job (clean version)
Here is what Ray McKinnon has to say about the video:
"A friend turned me on the DBT's over a decade ago. I went mad for what they were doing. Not long after someone turned them on to my film, THE ACCOUNTANT, of which they claim to still like. And so, we were mutually admiring without knowing each other. Eventually that changed and I have had their music in three of my succeeding films including THAT EVENING SUN which I produced. Patterson particularly, has become a good friend and when I was approached to be a part of the collaboration in the making of the video, I could not refuse. They have all been such champions of my films so more than anything, I (and Scott Teems) wanted to do something that they would dig... Drunk or sober. They seem to like it. The video shoot was a fair amount of shooting from the hip. We were making some crucial decisions on the fly. Damned exhilarating, it was. But nervy too. Lunch was brought in but I couldn't get "Burger World" out of my mind after seeing the video cop enjoy his burger so much after shooting me (or arresting me). So that's where I went. A last meal of sorts. A damn fine burger, too."
Also, check out our latest two webisodes:
We just announced another show on the Tom Petty and the Heartbreakers "Mojo Tour" this summer. We will be playing in St. Louis MO at the Verizon Wireless Amphitheatre on Sunday July 18, tickets go on sale this Friday, May 21. We also are finally playing a DC show at our beloved 9:30 Club on July 23rd. I promise to be healthy and in rare form.
Don't forget we are playing at Mountain Jam on June 5th. On June 6th, Mountain Jam will be hosting an All Star Celebration of Levon Helm's 70th Birthday. I will be playing on that along with my Dad (David Hood) who is Levon's old friend and has played with him in the past. Other guests include Steve Earle, Warren Haynes, Ray LaMontagne, Donald Fagen and Jackie Greene.
On a similar note, Dad's band The Decoys, will be opening for us at our make up Nashville Cannery show next month. Don't forget to keep Nashville's recent flooding and tragedy in your thoughts and help if you can.
Click here to see all of our upcoming summer dates and purchase tickets.
Thanks again for everyone who has come out and supported the band these last couple of months. This has been my favorite tour of the last twenty five years or so and has been a great way to celebrate Mine and Cooley's Silver Jubilee. This tour is only beginning so stay tuned for many more announcements coming soon.
See You at The Big To-Do.
Patterson Hood
Drive-By Truckers
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Tumbleweed Concerts
www.Calffry.com
405-377-0076
Th,Fr,Sa 8:00pm - 2:00am
“Never been more excited to have someone on my show.”Chance’s video has also earned mentions from The New York Daily News, FOXNews, The Huffington Post, The Toronto Star, PopEater, TV Guide, UK’s Daily Mirror,
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Purchase In the Morning on iTunes.Cami talks about her country music background and her switch to jazz music.
Another favorite of XM-Sirius’ Kids Place Live, the witty duo of Chris Wiser and Rob Martin blend blues, New Orleans funk and gospel to create an original, high energy sound. The title of their newest CD, Funky Fresh and Sugar Free, says it all. Of its humorous-yet-jammin’ lead song, “Rock Awesome!” Chris Wiser says, only half jokingly: “We figured the genre needed its own anthem song.”
Purchase Funky Fresh and Sugar Free on iTunes.
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