Doe's 3rd Year Anniversary
come join in the celebration!
Thursday, 1 November 2007
1350 East 15th Street
on Cherry Street
5 pm
visit susan's website at www.susanherndon.com
Oklahoma Artists and Musicians News *COPYRIGHT NOTICE* Title 17 U.S.C. Section 107, any copyrighted work in this message is distributed under fair use without profit/payment to those who have expressed a prior interest in receiving the included information for non-profit research/educational/criticism purposes only. www.law.cornell.edu/uscode/17/107.shtml. Your artists news not here? Tell them to email it to stan@paynecountyline.com - hint! Click on images to enlarge.
Doe's 3rd Year Anniversary
come join in the celebration!
Thursday, 1 November 2007
1350 East 15th Street
on Cherry Street
5 pm
visit susan's website at www.susanherndon.com
|
Trisha Yearwood's latest album "Heaven, Heartache and the Power of Love" hits shelves on November 13th, but you can pre-order yours at the official Online Store!
You can also pre-order Trisha Yearwood's Gold or Platinum Bundles today, and not only receive her long awaited new album, but great Trisha Yearwood merchandise! The first 100 people to order bundles will also receive autographed CD inserts!
Platinum Bundle includes: the new album, a Trisha Yearwood T-Shirt, a keychain and an 8x10 of Trisha! | Gold Bundle includes: the new album and a Trisha Yearwood T-Shirt! |
Click here to go to the store!
©2007 Trisha Yearwood | Trisha Yearwood Store
A free Halloween costume party on 10/31 from 7pm -?? on . It is our open mic, and all performerers must be in costume.
Prizes for best musical, scary, original, sexy. I will probably win the sexy as I am coming as an olympic sprigboard diver!
No cover and promises to be great yuks and chuckles.
On Friday 11/2- Mary Cutrufello is releasing her first cd in a LOONNNNGGGGGG time. She is terrific, a great person to boot, but don't boot her.
She is very sensitive- It is a $12 cover at 9pm, doors at 8pm and Greg Klyma opens the show.
On Saturday 11/3 at 7pm, Former Concrete Blonde -ette, Johnette Napolitano, will do an intimate acoustic solo show.
It is 22$ at the door, or thru frontgate tix , and is a rare opportunity to see such an artist in a "living room" environment.
Then at 10pm, our pure talent showcase, which is a distillation of the better talent we have encountered from our open mic sessions during the past 6 months or so. $7 at the door
11/7- Ruby Dee and the Snakehandlers, from Seattle
11/8- Homespun Remedies (gosh!)
11/9- The Campaign (much -liked by Gary Cogill and me)
11/10- Robin English w/ Bruce Smith opening. Robin is a country talent on-the-rize, mark my emails!
11/14- our nov open mic
11/15-Russell Howard
11/16- B'Ann and the Stingers (another country-comer girl)
11/17- Black Top Gypsy
11/21- Rigby, Lifers open
11/22- HAPPY THANKSGIVING TO ALL YOU TURKEYS FROM THE EL PAVO GRANDE AQUI!
11/23- The Lawson Fink Band
11/24- 7-9pm One Way Tell
11/24- 10pm John Nitzinger- only $12 to hear this Texas Rock Legend.
11/29- KNON benefit, broadcasting the Grateful Dead show live from the club, and a band to follow.
SO,
OFF OF YOUR DUFFS, get up and get out!
As they say around Halloween: LIFE IS SHORT, AND THEN YOU DIE! AHAHAHAHAHAHAHAHAHAHAHA..!!!!!!!!!
Poor David :-*
UPCOMING EVENTS THIS WEEK |
WEDNESDAY, OCTOBER 31 - Johnny and Cody Shaw are hosting a Halloween Bash at the Wormy Dog...so keep that costume for one last blast this Wednesday night and join us at the "DAWG" for a Halloween party!!!
|
Posted by: "Neal Risenhoover" nrisenhoover@hotmail.com nrisenhoover2
Sun Oct 28, 2007 6:40 am (PST)
By JOHN GEROME, AP Entertainment Writer1 hour, 47 minutes ago
Porter Wagoner was known for a string of country hits in the '60s, perennial appearances at the Grand Ole Opry in his trademark rhinestone suits, and for launching the career of Dolly Parton.
Like many older performers, his star had faded in recent years. But his death from lung cancer Sunday, at 80, came only after a remarkable late-career revival that won him a new generation of fans.
The Missouri-born Wagoner signed with RCA Records in 1955 and joined the Opry in 1957, "the greatest place in the world to have a career in country music," he said in 1997. His showmanship, suits and pompadoured hair made him famous.
He had his own syndicated TV show, "The Porter Wagoner Show," for 21 years, beginning in 1960. It was one of the first syndicated shows to come out of Nashville and set a pattern for many others.
"Some shows are mechanical, but ours was not polished and slick," he said in 1982.
Among his hits, many of which he wrote or co-wrote, were "Carroll County Accident," "A Satisfied Mind," "Company's Comin'," "Skid Row Joe," "Misery Loves Company" and "Green Green Grass of Home."
The songs often told stories of tragedy or despair. In "Carroll County Accident," a married man having an affair is killed in a car crash; "Skid Row Joe" deals with a once-famous singer who's lost everything.
In 2002, he was elected to the Country Music Hall of Fame.
In May, after years without a recording contract, he signed with ANTI- records, an eclectic Los Angeles label best known for alt-rock acts like Tom Waits, Nick Cave and Neko Case.
Wagoner's final album, "Wagonmaster," was released in June and earned him some of the best reviews of his career. Over the summer, he was the opening act for the influential rock duo White Stripes at a sold-out show at New York's Madison Square Garden.
"The young people I met backstage, some of them were 20 years old. They wanted to get my autograph and tell me they really liked me," Porter said with tears in his eyes the day after the New York show. "If only they knew how that made me feel — like a new breath of fresh air."
To many music fans, Wagoner was best known as the man who boosted Parton's career. He had hired the 21-year-old singer as his duet partner in 1967, when she was just beginning to gain notice through songs such as "Dumb Blonde."
They were the Country Music Association's duo of the year in 1970 and 1971, recording hit duets including "The Last Thing on My Mind."
Parton's solo country records, such as her autobiographical "Coat of Many Colors," also began climbing the charts in the early 1970s. She wrote the pop standard "I Will Always Love You" in 1973 after Wagoner suggested she shift from story songs to focus on love songs.
The two quit singing duets in 1974 and she went on to wide stardom with pop hits and movies such as "9 to 5," whose theme song was also a hit for her.
Wagoner sued her for $3 million in assets, but they settled out of court in 1980. He said later they were always friendly, "but it's a fact that when you're involved with attorneys and companies that have them on retainer, it makes a different story."
At a charity roast for Wagoner in 1995, she explained the breakup this way: "We split over creative differences. I was creative, and Porter was different."
He said in a 1982 Associated Press interview that his show "was a training ground for her; she learned a great deal and I exposed her to very important people and the country music fans."
She was present at the ceremony in May 2007 honoring Wagoner on his silver anniversary with the Opry. At the time, he called Parton "one of my best friends today." She also visited him in the hospital as he battled cancer.
Wagoner, who had survived an abdominal aneurysm in 2006, was hospitalized again this month and his publicist disclosed he had lung cancer. He died at 8:25 p.m. CDT Sunday in a Nashville hospice, said Darlene Bieber, a spokeswoman for the Opry.
Country singer and Opry member Dierks Bentley visited Wagoner in the hospice over the weekend and said Wagoner led them in prayer, thanking God for his friends, his family and the Grand Ole Opry.
"The loss of Porter is a great loss for the Grand Ole Opry and for country music, and personally it is a great loss of a friend I was really just getting to know," Bentley said. "I feel blessed for the time I had with him."
Pete Fisher, vice president and general manager of the Opry, said the Opry family of musicians and performers was deeply saddened by the news. "His passion for the Opry and all of country music was truly immeasurable," Fisher said.
Wagoner was born in West Plains, Mo., and became known as "The Thin Man From West Plains" because of his lanky frame. He recalled that he spent hours as a child pretending to be an Opry performer, using a tree stump as a stage.
He started in radio, then became a regular on the "Ozark Jubilee," one of the first televised national country music shows. On the Opry since 1957, he joined Roy Acuff and other onetime idols.
At one point his wardrobe included more than 60 handmade rhinestone suits.
"Rhinestone suits are just beautiful under the lights," he said. "They've become a big part of my career. I get more compliments on my outfits than any other entertainer — except for Liberace."
While he continued with the Opry, and even had a small part in the 1982 movie "Honky Tonk Man" starring Clint Eastwood, his recording career dried up in the 1980s — until his return this year.
"I stopped making records because I didn't like the way they were wanting me to record," he said. "When RCA dropped me from the label, I didn't really care about making records for another label because I didn't have any say in what they would release and how they would make the records and so forth."
___
On the Net:
http://www.porterwagoner.net/
4 DAYS LEFT TO ENTER SONGS AND LYRICS
There are only 4 days left to enter your songs or
lyrics into October's competition. For more information
please visit www.songoftheyear.com . Any submission
entered online or postmarked by October 31st will be
entered into October's round. International entries
are accepted.
NEW SONGWRITING JUDGES ADDED TO PANEL
We have recently added three new judges to the Song of
the Year yearly judging panel. These individuals have
worked with some of the biggest names in music such as
Christina Aguilera, Rascall Flatts, Pink, and more.
For a list of the judges you can visit
www.songoftheyear.com/judging.htm
GOT CHRISTMAS SONGS?
Many radio stations are getting ready to make their
playlist for the Christmas season. All Christmas songs
entered into the Song of the Year songwriting
competition between now and November 14th will be
forwarded to program directors for air-play
consideration this holiday season. You can enter your
Christmas song into any of the 10 categories of the
competition for this opportunity. "All" Christmas
songs entered (regardless of the category or if you
place in the contest) will be sent to Clear Channel
radio stations. Last year we had twenty-one
individuals who received radio play with this
opportunity.
SEPTEMBER UPDATE
September's winners should be posted by November
10th, 2007. For those of you who signed up for song
critiques in September, they are currently being
worked on and will be distributed as they are
completed. If you have not received your September
critique by November 7th, please contact the critique
department. Otherwise, you should be receiving your
September critique in the next week or two.
GOT QUESTIONS?
Any questions or comments can be communicated at
www.songoftheyear.com/contact.htm .
By visiting the contact page, you can be assured
that your questions or comments are getting to the
appropriate department. This will also expedite any
requests you may have.
Author: Jerry Del Colliano President/Publisher for INSIDE MUSIC MEDIA™ jdelcolliano@earthlink.net http://insidemusicmedia.blogspot.com Jerry Del Colliano |
October 15, 2007 Universal Thinks Consumers Are iDiots [Printer Friendly Version]
|
Have you heard about Universal Music’s new Apple-killing idea to make consumers pay a monthly fee for free music (pay and free don’t go in the same sentence real well)? According to Business Week: “…insiders say [Universal head Doug] Morris & Co. have an intriguing business model: get hardware makers or cell carriers to absorb the cost of a roughly $5-per-month subscription fee so consumers get a device with all-you-can-eat music that's essentially free. Music companies would collect the subscription fee, while hardware makers theoretically would move many more players”. So let me get this right? The hardware makers or cell phone manufacturers bury the cost of what basically is a subscription service and all these young kids who have taken down the record labels run out and buy these un-cool devices – and presumably forsake their iPods. (I can hear you saying, how can Jerry know that these devices will be un-cool, they haven’t even made them yet). Let’s start with the proposed name of the service – Total Music. That’s about as bad as Microsoft naming its iPod a Zune or more recently naming the Zune social network – Zune Social. C’mmon. All you have to do is have kids to know this is as un-cool as Barry Manilow. Now don’t hyperventilate when you read this description of Total Music courtesy of my friend Vytas Safroncikas of Born Again Radio: “With the Total Music service, Morris and his allies are trying to hit reset on how digital music is consumed. In essence, Morris & Co. are telling consumers that music is a utility to which they are entitled, like water or gas. Buy one of the Total Music devices, and you've got it all. Ironically, the plan takes (Steve) Jobs' basic strategy-- getting people to pay a few hundred bucks for a music player but a measly 99 cents for the music that gives it value--and pushes it to its extreme. After all, the Total Music subscriber pays only for the device--and never shells out a penny for the music. "You know that it's there, and it costs something," says one tech company executive who has seen Morris' presentation. "But you never write a check for it." Total Music could then become a streaming radio station or allow individual songs to be downloaded like Yahoo Music. This could be so good. The killer app! Giving Steve Jobs his comeuppance. A whole new beginning for record labels. Then, I woke up. Universal must be kidding. Jobs gets the next generation (and their parents, baby boomers like him) to shell out substantial cash for his products because they are not designed to fool consumers into thinking it is one thing while they are paying for another. Doesn’t anyone get it yet? The iPod is a portable record player – okay, you forced me to use the words. Record player. Except, an iPod is even better. And you don’t always have to buy music for it. While I am on the topic of buying music, the next generation never worries about this because they can find almost anything for free online. (Please re-read that last sentence). When they buy from Apple’s iTunes store it is because it is convenient, seamless and they want to. But they don’t have to. Universal alert: consumers don’t have to buy music to own it. Therefore, they don’t have to buy one of your “record players” disguised as a mild-mannered reproducer of music for which you really want them to pay. As they would say in the British Parliament, “I refer you back to the right honorable gentleman from Hoboken, New Jersey” – that’s me! Record labels don’t have to connive, mislead, threaten or bully their customers. Just lower the price of legally downloaded music. As I have written before in this space – make a song the price of a text-message and you will do a land office business. Still don’t believe me? How would you like to add the cell phone carriers’ profit for something as simple as text messaging to your bottom line. Back to the drawing board. |
Known for his showmanship, rhinestone suits and silver pompadour, Wagoner’s extraordinary career spans five decades. The multiple Grammy winner recently celebrated his 50th year with the Grand Ole Opry and is a member of the Country Music Hall of Fame. As the host of the syndicated television show The Porter Wagoner Show, he introduced the world to Dolly Parton. After racking up 81 charted records, the 80-year-old Wagoner recently released “Wagonmaster,” produced by Marty Stuart. The “Thin Man From West Plains” proves he is still a relevant force in American music by seamlessly bridging the generations while still staying true to his country heritage.
“It’s that legacy we want to honor as we open our 8th Annual Festival and Conference,” says AMA Executive Director Jed Hilly. “I can’t think of a better place to recognize Porter than the Tennessee State’s Museum’s breathtaking exhibit, “Sparkle and Twang,” Marty Stuart’s American Music Odyssey. It’s a visual history lesson on the legacy of folk, country, rock, gospel and Americana music, of which Porter is such a big a part of.”
It’s also the organization’s way of inviting Nashville to the party to learn more about Americana Music. The event will assemble some of the city’s finest artist/songwriters and musicians on the Museum stage. The jam is hosted by Jim Lauderdale and will feature Buddy Miller, Rodney Crowell, and other surprise guests. “We hope people will come to the museum and bring their kids with them—in costumes, of course,” says Hilly. “This is an event for all ages, and being Halloween, anything goes.”
Great Americana Country is a co-sponsor of the party. Also presenting the event is the Nashville Film Festival, Billy Block, Nashville Songwriters Association International and Nashville Lifestyles. Guests will have the opportunity to talk to representatives from these organizations and learn more about them as well.
Slated for Wednesday, October 31, through Saturday, November 3, the Eighth Annual Americana Festival and Conference will offer daily seminars, panels and networking opportunities at the Nashville Convention Center. Each evening brings stacked Americana showcases to key venues throughout Nashville. One ticket to the November 1st Americana Honors and Awards show held at the Ryman Auditorium is included in each conference registration packet. The general public may now also purchase tickets for the ceremony through the Ryman and Ticketmaster outlets for $35 each. $30 wristbands granting admission to all evening showcases are also available to non-members of the Association.
Visitors to can enter the Ultimate Garth Getaway Sweepstakes to win a trip to catch one of Garth's sold out concerts in Kansas City, Missouri -- a rare treat, since these concerts will be his first since he retired from touring in 2001. Fans will be able to enter daily through October 30, and runner-up winners will all receive copies of GARTH BROOKS: The Ultimate Hits.
On October 19, the video for "More Than a Memory" will debut exclusively on GAC's Top 20 Country Countdown, and will be made available to fans via streamable format on GAC-TV.com the week after. As "The Home of Garth Brooks" this fall, GAC will premiere exclusive specials on the star, including a one-on-one with Lorianne Crook, set to air on November 3. During this special Offstage with Lorianne Crook, Brooks shares his thoughts on his record-breaking career as the fastest-selling solo artist in music history, as well as personal details and stories.
Sunday (10/28), Country Legends Fest 07 brings the "Return of Moe & Joe", Moe Bandy & Joe Stampley and a special "Tribute To Buck Owens" from The Derailers, also Sonny Burgess.
The weekend will offer something for Country Music Fans of all ages, and a Historic reunion of one of the most successful Duo's in Country Music.
Fans can log on to Rhapsody to watch and listen as well as buy Shelton’s exclusive Rhapsody Original digital EP which features "The More I Drink," "Don't Make Me," "She Don't Love Me," "Nobody But Me," and "Ol' Red."
Carrie Underwood: Naked — an unscripted Q&A session where Carrie answers questions from her fans
|
This caps off our latest tour for the new record, To Be Loved, which has taken us out to the WestCoast, up through Seattle, and back through the midwest. We are very pleased to be ending the tour with two lovely weekend shows in Oklahoma. Here they are:
Friday, October 26, 2007
Opolis
113 North Crawford
Norman, OK 73069
405.820.0951
www.opolis.org
doors at 9:30, show at 10
Saturday, October 27, 2007
Two Frogs Grill
2646 W. Broadway
Ardmore.OK 73401
580.226.3764
www.twofrogsgrill.com
show starts at 10
Rolling Stone Friday October 26, 2007 | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
TODAY'S TOP ROCK HEADLINES | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
EXCLUSIVE VIDEO: "AMAZING JOURNEY: THE STORY OF THE WHO" | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
PINK FLOYD TO RELEASE MEGA BOX SET | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
ALTERNATE TAKES: RADIOHEAD VS. THE RIAA | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
PHOTO GALLERY: ROCK STAR MUG SHOTS | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
PETER TRAVERS REVIEW: "DAN IN REAL LIFE" AND MORE | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
For more of the latest music news — including the week in photos and the next Rock List — visit RollingStone.com. | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
TODAY'S PICKS | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
DAILY TRACK: Babyshambles — "Deft Left Hand" | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
DAILY VIDEO: Peter Travers Review — "Dan in Real Life" and more | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
DAILY REVIEW: Levon Helm — Dirt Farmer | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
The complete ROLLINGSTONE.COM archive includes videos, photos, interviews, reviews, and more. | |||||||||||||||||||||||||
| |||||||||||||||||||||||||
|
Cross Canadian Ragweed Takes a Deep Breath
Band Releases New CD, Mission California
By: Whitney Self
Only a few hours before their Grand Ole Opry debut and days from an album release, Cross Canadian Ragweed members Cody Canada, Grady Cross, Jeremy Plato and Randy Ragsdale sit nonchalantly cracking jokes and telling stories at a Nashville office. If they are at all anxious about their big night and new release, it isn't showing.
"It's something we've always wanted to do," said Canada, the lead singer. "Actually, it kind of just came out of nowhere. We knew we were playing a gig tonight, and then a couple of days ago, the manager called and said, 'You guys want to play the Opry?'"
Smiling, Canada adds, "That's a pretty dumb question. Yeah!"
Ragweed's alternative country sound and Texas rock 'n' roll edge may not fit within the country music spectrum for some. Even for the band, playing the Opry came as a pleasant surprise.
"What I think is cool about it," said Canada, "is we're not really that country and we get to play the Opry. That's cool. That's them bending a little bit and us bending a little bit."
The four members started playing together 13 years ago in Yukon, Okla., and have remained friends since childhood. ("Yep, until this morning," joked Canada.) The band later moved to Stillwater, Okla., sometimes referred to as "North Austin" or "West Nashville." They played continuous gigs, earning recognition within the Oklahoma-Texas music scene. After releasing four albums on their own, Ragweed signed their first record deal with Universal South in 2004. They have been known to spend a taxing 260 days of the year traveling from one venue to the next.
"We don't get a lot of radio support, and it doesn't really bother us that we don't. We do get it in some areas.
But without radio support, you've got to keep playing," said Canada. "You've got to stay in front of people, or they forget about you."
The new album, Mission California, consists of their familiar Texas rock with the occasional road song thrown into the mix. "I know that's always cheesy," said Canada, "but if you approach them right, I think they can be good." Producer Mike McClure (formerly of the Great Divide) and the band traveled to Strait Studios in Santee, Calif., where they spent more time than usual perfecting the CD.
"We had a lot of time for this record," said Canada. "We had 25 days instead of three or four. We'd finish some songs and then call it a day and come back the next day and just listen and pick one."
The exceptionally personal project features five co-writes as well as six original tunes, including the heart wrenching tune, "Lawrence," about a young boy accompanying his homeless parents as they sing on a street corner for money.
"The way I always describe it is, he looked like he had chocolate ice cream all over his face, he was so dirty," Canada said. "He hadn't had a bath in forever, and he was just humming along and kicking his feet. Just like nothing new, nothing strange about that to him. It was sad, but he wasn't. Sad to me just because I was an outsider looking in, but he couldn't have cared less. He was just sittin' next to mom and dad, just jamming."
The song also features friend Lee Ann Womack. Canada said she fits perfectly and balances out their rough kind of sound. "We'll work with her again," he said. "I love having women singers in the background. I think it gives it that Southern rock feel."
Bassist Plato takes his turn at the mike for the first time on "Soul Agent." His deep, gravely voice paints a picture of strong, hopeful individuals who comfort others the best way they know how.
"I've always loved that song," said Plato. "I started singing it on the bus late at night. After a few beers, I'd grab a guitar and just play songs on the bus." After singing a few lines during sound check one day, Canada said,
"Man, we ought to just play that live."
However, their upbeat songs don't go unnoticed. "Record Exec," "Deal" and "NYCG" keep that familiar upbeat tempo, and comic relief is never far behind, especially in "Smoke Another."
"That is the day in the life of our men," said Canada. "We did a sound check in Baton Rouge, and we had a long night just like every night. I walked up to the mike and I was real gravelly. Making fun of myself, I said, 'Smoke another cigarette, drink some more booze ... check, check, hey, hey, one two.' I told McClure about it, and he said, 'We probably need to write that one.'"