What Happens When the Band Breaks Up?
By Heather McDonald
Band break ups are kind of like divorces. Sometimes they're amicable, but often they're not. Whether your band breaks up over "creative differences," personal relationships or some other reason, the process can be emotionally draining. Also like divorces, sometimes there are some "assets" to be divided. Making the wrong calls here can have long lasting implications for all of your music careers. Find out how to manage a band break up while protecting your rights, keeping your sanity in tact and maybe even preserving enough good will to survive your reunion tour in 20 years.
Band Break Up Step One: Check the Contract
If you have a band contract, stop right here. You may not need to go any further. The contract should have provisions that dictate how to deal with things like unused recordings, songwriting credits and more, so all you have to do is abide by it. Easy, right?
OK, I know you probably don't have a contract. Few groups do. If the dog ate your contract, or if your band has outgrown it, here are the steps you should follow:
Make a List of The Issues
How many issues you have to deal with when your band breaks up is generally related to how long you were together and how much work you've done. Some issues will be more contentious than others, and you'll have a much easier time working through all of them if you clearly identify them and treat each one as a separate subject as much as possible. Although each band's situation will be different, some things you may need to address are:
- Songwriting credits
- Unreleased recordings
- How to split up gear the group co-owns
- How to resolve the group finances
- Leftover stock if you self released your album
Let's take some common issues one at a time:
Songwriting Credits
This one is really important if your group is earning royalties or if anyone in the group hopes to use some of the group's songs in future projects. In reality, this conversation is one all bands should be having well before a break-up enters the equation. You might be surprised how differently you all view your own contributions and hammering these things out when things are tense is tough.
If you have made agreements in the past when it comes to songwriting credits, stick to them. You might be angry now, but if you have agreed to share all the credit for the music equally in the past - even if only one of you actually did the work - take some deep breaths and honor the agreement.
If you all share ownership of the songs, you should discuss what that means. Will you all have free reign to "cover" the songs in future projects? What happens if one of you joins a new band and suddenly has a hit on your hands with a song that was co-written with this band you're leaving now? In that case, the people who share songwriting credits are due a royalty - you can see how complicated this can get. It will get more complex if it becomes an issue sometime down the line and you haven't discussed it now. So, discuss it.
Unreleased Recordings
If you have unreleased recordings sitting around, what are you going to do with them? When you've invested a lot of money in recording, then obviously the idea of trying to recoup that money by selling the music is appealing. But, if the band break-up is not amicable, working together to get this done might be more trouble than it is worth. What is the best option?
First, if you have a record deal, you might not have a choice. If you have signed a contract with a label that obligates you to deliver an album, then you're going to have to deliver the album or buy yourself out of the contract. How much that costs depends on how much the label has invested in your band and what they think they could have made from selling your record. If you're dealing with a small indie, you might be able to come to some sort of agreement between all of you - you might even be able to get away with not buying out of the contract at all. If you're dealing with a larger label that has lawyers involved, then you'll need to get a lawyer as well. Note that in some cases, you may even be obligated to do a certain amount of promotion for the record.
If you don't have a deal, things are easier. If you're still friendly and can work together to try and sell the record, great. Just make sure you discuss things like how you'll divide the work, the expenses and the profits. If you can't work together, then you might have to chalk it up to experience. If some members of the group have invested more financially into the project than others, the good thing to do is try to reimburse them somehow. In the real world, without a contract that specifies that the investment will be recouped, this doesn't always happen. It's a tough lesson to learn, but sometimes the lesson is all you're going to get from the situation. You'll be smarter for next time.
Dividing Co-Owned Property
Many times, groups don't just invest in recording together, but they also sink their cash into gear for the group. This should be an easy one to handle. If you chipped in for a drum kit, but you don't play the drums, don't fight for it. The drummer can pony up the cash to pay everyone back their share, or you can all sell the kit and split the cash. If emotions are running high, people can think of all sorts of reasons why they should get X, Y or Z, but save yourself the hassle and don't make a federal case out of it. Split it up and move on.
Group Finances
The finances have of course been touched on when we talked about splitting gear and what to do with unreleased recordings, but here we're talking about the nitty gritty. Who paid the rehearsal space? Who paid for the gas when you drove to shows? Who always paid for the beer?
In bands, you often find that some members are in a position to contribute financially way more than others. This set-up has a way of being fine when everything is fine with the band and not so fine when everything with the band is not so fine. As tough as it is, unless you have some agreement that states otherwise, if you're the one who has been shelling out the cash, you can't make anyone pay you back. Of course, everyone should try to make this kind of stuff fair, but it often doesn't happen.
Leftover Stock
If you have self released your record, what happens to your stock when the group is no more? This one really depends on how acrimonious the split is. If you can maintain a professional relationship, then it is in everyone's interest to continue to try and sell the stock. If you do so, then make sure you all are on the same page as to how it will work - who will shoulder the responsibility and how income and expenses will be handled.
If you just can't do it, then the stock is a wash. Note the important thing here - you all have to agree what will happen. You can't decide unilaterally to sell the stock over the objections of everyone else.
Band Break Ups: More Issues and Karma Boosters
The above list of issues is in no way exhaustive. Your specific circumstances will dictate the issues you have to handle. If you handle everything methodically and with a level head, and if you remember that you all used to be friends if the split is getting nasty, then you should be able to address everything you need to and keep your sanity at the same time.
In the absences of contracts - and most independent musicians will find themselves dealing with band break ups without contracts - it all comes down to treating each other with respect. It's not always easy. Everyone has seen band break ups get REALLY mean. But even though you might not have many legal obligations, sticking to these few rules are good karma. The music industry is surprisingly small. If you treat people badly, word will get out, and you'll pay for it some day. Save yourself the trouble and consider these band break up niceties:
- What happens in the band stays in the band - don't go blabbing everyone's secrets around town. Your bandmates likely have a few things on you that you don't want everyone to know, right? Exercise some discretion.
- Similarly, don't bad mouth people. It's bad form. There's usually enough blame to go around, and it doesn't really fool anyone.
- If you owe people money, try to pay them back. At least acknowledge the debt and do your best to make it right.
- If some of you plan to continue to play together, don't use this bond to bully other band members when you're trying to come to an agreement on how to work out issues in the break up. Don't withhold recordings, gear, money or anything else just because the balance of power happens to be in your favor for the moment.
- Get some perspective. As intense as these situations can be, if you take a step back, you'll see that the future of civilization is not hinging on your actions. It will help you keep a level head.
Band break ups can be incredibly stressful, but you can mitigate that by taking the right approach. It's a learning experience, and when things calm down, you'll realize you've come away with some good lessons that you can apply to your music career in the future. You might even laugh. Someday!
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